[[cento:centologia#centones_antiphonarum|🔘]]  [[grad:0017|IN]] [[grad:0174|GR]] [[grad:0465|TR]] [[grad:0325|AL]] [[grad:0480|OF]] [[grad:0603|CO]] 
<fc #ffffff>xxxxx</fc> 
✅ [[0019|2️⃣]] [[0008|0️⃣]] [[0034|3️⃣]] [[0113|4️⃣]] [[0006|5️⃣]] [[0158|6️⃣]] [[0007|7️⃣]] [[0004|8️⃣]]
<fc #ffffff>xxxxx</fc> 
**<fc #BD0C11>AN</fc>** [[7009|RP]] [[9862|IV]]  [[alia:alia|alia]]
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[[0549]] ← → [[0551]]

{%syn:title:ant:0550%} ✔️

[[0548]] ⟽ **[[cento_an:1typ|AN 1]]** ⟾ [[0554]]

[[rp_hmr:0550|🔄]]

{%syn:analyse:ant:0550%}

  Ad hanc vócem / christi mártyris / sebastiani /
  ilico apértum est / os uxoris nicostrati.

{{ :ant:0550_melodie.png?300|}}
**[[cento_an:1inc_clv|1INC Clv]]** brevissima. 2 syllabae modo ante accentum <fc #4682b4>"Ad hanc //vó//-cem"</fc>, "fa" et "sol" coniuncta. . 
[[neumen:neuma#clv_cop]] "vo-//cem//", oriscus indicat finem centonis. Clv non est incipit de 1TER de5! \\
**[[cento_an:1med_triv|1MED triv]]**  1acc\\
**[[cento_an:1ter_de3|1TER de3]]** brevis + 
[[formulae:pecl|FML TrcCl]] ad "do": [[formulae:colon]]\\

**[[cento_an:2inc_asc|2INC asc]]** 
tractulus indicat finem centonis <fc #4682b4>"est"</fc> "fa" ? melodia incertus.\\ 
**[[cento_an:1ter_de3|1TER de3]]**\\

Die jüngeren Quellen, einschließlich Bv + T2 verändern die außergewöhnliche 1TER de3 zur Norm.
–––––––

{%syn:hs:ant:Xtab:0550:1000%}

{%syn:hs:ant:0550%}